By
Sue
Summers
Altar
Native Detroit correspondent
One
look and listen to THE PROCESS® and you know this is no ordinary reggae band. While
most bands of this genre play it safe by covering reggae standards
and keeping the sound traditional, THE PROCESS® take a different
route.
I
first discovered the Michigan bands’ performance at their
inception back in 1989. I was caught off guard by their intense
approach to the music and message. The band has re-created reggae
with a new beat and a stage show unlike any other. Their punky
rock-reggae sound is more in tune with bands like The Ruts DC with
Bob Marley and metal riffs thrown into the mix. The show is as
intense as the music itself, with lights, smoke, videos, props and
costumes, such as the infamous “Pigman.”
Hailing
from Vassar, Michigan a small town near Saginaw, THE PROCESS® formed
in 1989 when co-founders vocalist David Asher and guitarist Garrick
Owen joined forces with the rhythm section of bassist Bill
Heffelfinger and drummer/percussionist Sam Metropolis. Much
later, they added former P-Funk Allstar Gabe Gonzalez (also on
drums) to the mix. With very limited places to play in their
hometown, the band made its way down to Detroit to find an audience.
With their music and show being too different for the mainstream
reggae venues, they made their home at the clubs geared toward rock
and alternative, and word of mouth soon spread. In 1993, they were
invited to play at Earthfest --- the music and activism festival---
and their performance was one of the highlights of the event. Their
first nationally released Craven Dog earned the band
attention from the music press for the first time. Owen was even
featured in Guitar World magazine, a rarity for a relatively
unknown band.
Now
on the release of their fifth album Blood and Bones, the band
shows no signs of stopping. When so many bands today can barely make
it after one album before calling it quits, to record five
albums and a dozen years together is quite an accomplishment. This
latest effort showcases the band’s new ideas to keep the music
fresh and interesting. Noted producer Gee Pierce offered an extended
club remix of one of the songs for the CD. Even though experimenting
with the bands sound, THE PROCESS® stay true to their message and
original inspiration. Is it this what has held the band together for
so long?
“As
far as the band’s longevity, It can basically be attributed to the
band’s continued relevance and its ability to smash down musical
barriers and break down stylistic stereotypes,” Asher says. ”And
we are just as pissed as we were from the get-go.”
November/December
2002