|
| |
 |
|
 |
| |
|
|
| |
 |
  |
 |
 |
|
| |
|

Dec. 2002
Excerpted from
Best New Music of 2002
By Robert E. Martin
One of the most
stirring and pleasing surprises of 2002 came in the form
of Tri-City based artists, THE PROCESS®, who managed to crystallize
the thematic
magnitude of their previous work in the form of eight new tracks
that totally
re-defined the power of this group with the emphasis on their
spectacular ability
to truly rock down the house.
 |
 |
Produced by Gee Pierce and mastered by
noted technician Dave Klutch, the
material on Blood & Bones draws the best elements of the group
together into
a tight yet magnified focus that shimmers like a rare diamond.
From the opening assault of Rising Up, buttressed by the impeccable
drumming
of Sam Metropoulos and reinforced by the intricate bass & keyboard
arrangements
of Bill Heffelfinger, to the urgent emotive vocals of David Asher,
accompanied by
the soaring registers of backing vocalist, Michelle Shaw, the tales
of transgression,
redemption, and solidarity are consistently given soaring accent by
the
stellar constructions of guitarist Garrick Owen.
Especially effective is the closing song, entitled Rasta Calling,
that
despite the title has very little to do with Reggae and everything
to do
with a band finding fuel in the soaring embrace of Rock music
executed with
a full flurry of passion scaling soaring musical heights.
Constructed
around a sturdy riff that breaks into a melodic oasis, the song
spirals
into the stratosphere with Garrick's breathtaking guitar solo,
Asher's
vocals never in finer form.
Blood & Bones is an important work from one of our area's finest and
most
dedicated groups.
And at no time has there been a 'message' contained in the music
that is
more important to hear. If there is any justice in this world, this
will
be the album that takes THE PROCESS® to the larger & greater audience
that
they so rightly deserve. |
|
© 2002 Review Publishing
Reprinted by Permission
|
|


|
|
 |
|
 |
| |
|